The study of Near-Death experiment shows that blind people who do an NDE see shapes and intensities of light but not colors. That’s means that the physical capacity of see has been well developed, it is present, it seems that it is the capacity to “see in color” of the energetic dimension that is blocked, because the sighted people who make an NDE see in color with their energetic body.
The project showed me that all is duality Yin-Yang in the physical reality with a notion of presence/absence, which would mean that the blind do not see because the ability to « see in color » is absent. It is the sensible dimension that seems affected, the 2D sensible information of the hologram, the regulating layer between the physical body and the energetic body. The non-palpable dimension of our being, the cognition.
At the Mahatma Gandhi International School, in India, children who develop their extra-sensorial capacity are able to separate cards according to the color thanks to their hand. This means that the hands, via the extra-sensorial capacity -non-palpable- can see the colors.
If we understand how children use their extra-sensorial capacities to see colors with their hands, we could develop a method of learning the extra-sensorial ability to « see the colors » and perhaps allow the blind to find eyesight.
L’étude des expériences de mort imminente montre que les aveugles qui font une EMI voient les formes et les intensités de lumière mais pas les couleurs. Cela veut dire que la capacité physique de voir a bien été développée, elle est présente, il semblerait que ce soit la capacité « voir en couleur » de leur dimension énergétique qui soit bloquée, car les personnes voyantes qui font une EMI voient en couleur avec leur corps énergétique.
Le projet m’a montré que tout est dualité Yin-Yang dans la réalité physique avec une notion de présence/absence, ce qui voudrait dire que les aveugles ne voient pas car la capacité « voir en couleur » est absente. C’est la dimension sensible qui semble touchée, l’information 2D sensible de l’hologramme, la couche de régulation entre le corps physique et le corps énergétique. La dimension non-palpable de notre être, la cognition.
A l’école internationale de Mahatma Gandhi, en Inde, les enfants qui développent leur capacité extra-sensorielle sont capables de séparer des cartes en fonction de la couleur grâce à leur main. Cela veut dire que les mains, via la capacité extra-sensorielle -non-palpable- peuvent voir les couleurs.
Si nous comprenions comment les enfants utilisent leur capacité extra-sensorielle pour voir les couleurs avec leur main, nous pourrions développer une méthode d’apprentissage de la capacité extra-sensorielle « voir les couleurs » et peut-être permettre aux aveugles de trouver la vue.
The LIFE thanks to the CAMERA and the OBJECT. The camera illuminates the object, and projects its complete hologram, as a space-time bigger than the Universe, That I call The Source. Once upon a time: « The Source » of everything possible, waiting waves to make it visible.
FRACTAL thanks to the SHUTTER. This gives a sense to the experiment of life from the universal (laws of nature present in everything) to the individual (everyone feels what he can/wants/thinks), from simplicity to complexity, from global view to finesse. More and more details. More and more interactions. More and more relations: The conscious of the individuality into the whole.
SENSIBLE thanks to all the MIRRORS. Conferring it an autopoietic character, by the play of reflections, symmetry, complementarity: The duality.
HOLOGRAM thanks to the BEAMSPITTERS. The two modes of realization of hologram create two dimensions of different nature, one energetic and one physic, in a Yin-Yang Universe Duality: The waltz of complementarities.
The PHYSICAL REALITY thanks to the HOLOGRAPHIC PLATE. It transforms 2D information of the sensible support in three-dimensional image capable of feeling: The duality Energy/Matter conscious.
Nothing can come into the camera. All that is necessary for life is present in the light that comes out of the camera and the object. The harmony between the 2 modes of realization offers beauty.
♫♫♫
Life is a wise equilibrium between
What we know, our knowledge which can be truth or false:the past-object beams,
What we don’t know yet, but we are going to discover it in the course of the current history in order to increase our expertise:the present -reference beams,
What we can only imagine, we have the power to create it to make it a reality thanks to our passions, our dreams, our envy:the future-the object.
♫♫♫
The World is a duality of three entangled elements
The Space, place of all representations: volume of the Universe and all we ignore, motionless -the holographic plate.
The Time that passes: energy flow, the movement -the vibration of the waves.
The Vacuum, field between the two, whose nature is to be defined because I think it is not nothing, interactions of duality energy-matter conscious at the origin of all physical reality -The Source.
♫♫♫
With time that passes, vacuum of space decrease because physical reality growing up.
Our body is growing from baby’s size to adult’s size in the Earth’s atmosphere and the Universe is growing in the Cosmos because the Universe is alive-the sensible dimension of the observed expansion.
La VIE grâce à la CAMERA et l’OBJET. La caméra illumine l’objet, et projette son l’hologramme complet, sous forme d’un espace-temps plus grand que l’Univers, que je nomme La Source. Il était une fois : « La Source » de tous les possibles, en attente des ondes pour le rendre visible.
FRACTAL grâce à l’OBTURATEUR. Il donne un sens pour expérimenter la vie depuis l’universel (les lois de la nature présentes en tout) jusqu’à l’individuel (chacun ressent ce qu’il peut/veut/pense), de la simplicité à la complexité, de la vue globale à la finesse. De plus en plus de détails. De plus en plus d’interactions. De plus en plus de relations : La conscience de l’individualité dans le tout.
SENSIBLE grâce à tous les MIROIRS. Ils confèrent un caractère autopoïétique, par le jeu des réflexions, des symétries, la complémentarité : La dualité.
HOLOGRAMME grâce aux SEPARATEURS. Deux modes de réalisation de l’hologramme créent deux dimensions de nature différente, une énergétique et une physique, dans la Dualité Yin-Yang de l’Univers : La valse des complémentarités.
La REALITE PHYSIQUE grâce à la PLAQUE HOLOGRAPHIQUE. Elle transforme l’information 2D du support sensible en image tri-dimensionnelle capable de ressentir : La dualité Energie / Matière consciente.
Rien ne peut entrer dans la caméra. Tout ce qui est nécessaire à la vie est présent dans la lumière qui sort de la caméra et l’objet. L’harmonie entre les 2 modes de réalisation offre la beauté.
♫♫♫
La Vie est un savant équilibre entre
Ce que nous savons ; nos connaissances qui peuvent être vraies ou fausses : le passé -faisceaux objets,
Ce que nous ne savons pas encore ; mais nous allons le découvrir au cours de l’histoire actuelle afin d’augmenter notre savoir : le présent -faisceaux de référence,
Ce que nous ne pouvons qu’imaginer ; nous avons le pouvoir de le créer pour en faire une réalité grâce à nos passions, nos rêves, nos envies : le futur -l’objet.
♫♫♫
Le Monde est une dualité de trois éléments intriqués
L’Espace, lieu de toutes les représentations : le volume de l’Univers et de tout ce que nous ignorons, immobile -la plaque holographique.
Le Tempsqui passe : le flux d’énergie, le mouvement -la vibration des ondes.
Le Vide entre-deux, dont la nature est à définir car je pense qu’elle n’est pas rien, les interactions de la dualité énergie-matière consciente à l’origine de toute réalité physique -La Source.
♫♫♫
Avec le temps qui passe, le vide de l’espace diminue car la réalité physique grandit.
Notre corps grandit de la taille de bébé à adulte dans l’atmosphère terrestre et l’Univers grandit dans le Cosmos car l’Univers est vivant-la dimension sensible de l’expansion observée.
A few years ago, I tried to understand what Einstein’s Relativity was. I knew that the discovery had turned physics upside down, but I was unable to really know what that meant.
This took me to the bottom of the structure of the chemical elements that make us up and more precisely in the fractal and holographic filling of electrons on the atomic orbitals.
And the wish to develop the Astro-Physics Shamanism.
It is the meeting of two poets of the Life, a painter and a gardener, who after having spent their professional life to teach abroad and in the south, arrived in the Loir et Cher to share the Beauty, the Harmony, the Fraternity they have stored during their journey and the painting of Jeannette Dubouilh.
The Garden of Arts is a place where time freezes, the moment of sharing, of a conference, of an exhibition…. The pleasure to be here.
I passed long and good times. Many hours of discussion during which Jeannette Dubouilh taught me what CREATIVITY is.
♫♫♫
I offer you a taste; A virtual tour through this booklet, write in 2011, in french.
Click on the first image to enlarge it and scroll through them all as in the booklet.
I make waves of creations. I put myself in the same conditions as the artists of Chinese painting:
Sitting face to the work table, the arm and wrist up raised, the artist paints with a large elbow movement, and with all his body, without taking a step back.
I paint with my iron and wax sticks colored on encaustic paper or canvas coated with gesso.
I create the night, during the full moon.
The night and the moon bring the optimal conditions to have a direct link to « The Source » of Life where I connect in order to bring back the auto-regenerator Worlds of Ki’Chi’Qi, because this « Source » is also that of Ki/Chi/Qui, the vital energy that runs through our meridians.
I make the first creative throw for all the media I’ve prepared. Then I scrub a cloth on the creation to remove the film that formed after cooling. The colors take on radiance. They shine.
At this time, I see if the creation speaks to me. For this, I am helped by the fact that my basic temperament, in the tradition of Chinese medicine, is the Water element. I listen my body to feel if energy circulates and my eyes to see if it is harmonious. If it is not the case, I take back my iron and modify the creation thanks to the heat of the iron and the addition or not of color.
This part is done the day or the night, whatever the moon since it is my body which is the principal vector of the final harmony. The lights effect on the creation facilitates the vision of the depth of the play of colors, but it is the energetic sensation through my body that gives it its ability to auto-regenerate.
The vital energy of Ki’Chi’Qi is a universal, perpetual, inexhaustible, unalterable source of energy, which animates all that lives.
If when I look attentively at the Universe-Art creations, I activate the flow of the vital energy of Ki/Chi/Qi through my meridians, this means that if you contemplate with all your attention the Universe-Art creations, the flow of vital energy will come alive through our body.
Demonstration of the realization of an Universe-Art creation.
